
If we had to, in just a hundred characters or less, I guess we would explain the project some what like this:
“With scrap materials as building blocks, the tale of how storytelling and creativity was conceived.”
Well, that is a jumping off point at least though we would like to think there is much more at play here. These pieces started off as most of the projects John and I have worked on together, with a lot of ideas and not nearly enough time to execute them all.
Stream of Conscious Mapping from the Abyss is our initial attempt at a visual metaphor, sculpting how humans learned to express their inner emotions through stories. Early development and understanding hinged on our ability to interpret the world around us. Science, and more specifically math, helped to form the foundation of understanding. From there humans were able to abstract and create with the elements in their environment. These creations evolved into music, written stories, visual art, and many other forms not traditionally thought of as art. As human understanding grew and technologies progressed, humans slowly were able to start capturing and interpreting more and more of the world at large. In the modern day human creativity appears at a point that which building blocks are reaching new heights and pushing the bounds of expression. These pieces serve as the road map of how humans arrived at the door step of today.
The colorful collages are representations of the reaches of the human narrative. They are paired with pieces of “Remainder Art” as John and I have deemed them. Rough cut cardboard that has collected excess paint, glue, and lacquers used in the creation of other art projects. This pairing allows us to cleanly see the unknown happenings around us that, if given a chance, have at the heart of them what the human narrative is all about, life.
Unfortunately we did not get accepted into the exhibit this year. This could be seen as a let down but for us it was a chance to create that we were able to seize. Our collage of scrape materials now decorate our own studio walls waiting for their next evolution.
-Douglas






